Statement

At the heart of my artistic inquiry lies a fundamental question: Where is meaning produced? My answer is this: The body is a site, a proving ground for all the fury and the tenderness, for what reconciles us to this brief moment.

I use - paper, charcoal, pencils, pens, dust, gel medium, ink, movement, wind, thread, wire, found objects, wood, fabric, rope, water, breath, my body …

To - organize, build, collect, conceal, arrange, uplift, change, delineate, fill, frame, react to, trace, pile, excavate, explain, define, repeat, gesture…

A(n) / In(to) / On(to) - surface, environment, view, wall, page, space, my body.

Everything is a drawing, and drawings are traces of us. As a visual and performing artist, I delve into the intricacies of how we order and reason about our existence and the spaces that contain us. We witness each other, providing proof of ourselves, acting as archivists for the collective unconscious. Through this lens, my work, lectures, and reflections investigate how a drawing can be made, performed, and defined. My ongoing research explores ideas of accumulation, solitude, memory, and drawing as a performative act.